BEETHOVEN :: essays research papers

Ludwig Van van BeethovenBorn to a drunkard father and an sad mother, the young Beethoven was subjected to a brutal training in practice of medicine at the hands of his father, who hoped that the boy would prove to be another prediction like Mozart. Failing in this, the young Beethoven nevertheless embraced medicine and studied for a short time in 1792 with Franz Joseph Haydn in Vienna. Hailed as a genius and a master of improvisation at the piano, Beethoven soon made a name for himself, and by 1794 was known passim Europe. He faithfully learned the Classical Viennese styles and traditions in music, and therefore proceeded throughout his career to completely revolutionize them. His earliest compositions reflect the unadulterated breastwork of Haydn and Mozart, yet there were always flashes of what was to come. The emotion he displayed objet dart playing his own music was unheard of in his day, and the fiery strong suit of his early Piano Sonata in C minor, known as the " Pathetique" is one of the first works in which Beethoven gives vent to his own striking musical voice.By 1800, Beethoven had become aware of his advancing deafness -- surely a most horrible fate for a player and unendurable to a composer. Agonizing over his fate, Beethoven contemplated suicide, but in the end embraced life, determined to go on composing, if no longer performing. miserable with his compositions up to that time and stating that he would now be "making a fresh start," Beethoven began composing music such(prenominal) as had never before been heard. His Symphony no. 3 in E-flat major, subtitle the "Eroica", was terminate in 1804, and was almost twice as long as whatsoever symphony written up to that time. Taking the classical symphony as a starting point, it introduces more themes, more contrasts, more instruments, more charge and more drama than previously heard in the symphonic form. His cardinal string quartets span his creative life and dev eloped from the classical restraint of the six "Early" quartets to the sublime late quartets which contain music of such personal pain and suffering, that one wonders if an audience was intended to hear them at all. The power of Beethovens voice can be heard in the get Quartet no. 11 in F minor. Beethovens musical ideas, the "themes" he used and from which he painstakingly constructed his works, were revolutionary for his day. The well-known opening guideword theme of the famous Symphony no.