Harriet Jacobs’ Incidents in the Life of a Slave Girl and Harriet Wilso

The Cambridge Introduction to the 19th-Century American Novel, the conventional sentimental novels storyline focuses around a recent woman finding her substance through life, usu on the wholey without the support of a conventional family. The women overcome lifes hardships, and the key to these womens triumphs lies in their achievement of self-mastery (Cane 113). According to Gregg Cane, these didactic novels are targeted at early women to strike the idea that a domestic home, marriage, and family are what construct a virtuously good woman. The plot is used to extract an emotional reaction from the audience. Nina Baym describes all sentimental novels as having the same plot,In essence, they are the story of a young young woman who is deprived of the supports she had rightly or wrongly dep demolitioned on to bind her throughout life and is faced with the necessity of winning her own way in the world. This young girl is ttingly called a heroine because her role is precisely ali ke to the unrecognized or undervalued youths of fairy tales who perform dazzling exploits and win a place for themselves in the land of happy endings. (11-12)These novels were extremely popular with color females during the 19th century. The heroine is a gross(a)al (if not actually a virgin at least maintaining the idea she is still untouched and innocent) young girl who has to stand on her own two feet and protect her virginity from villainous men. She is oftentimes portrayed as a damsel in distress, and in the end a courageous man saves her. They get married and have a perfect happily-ever-after. In Harriet Jacobs slave narrative, Incidents in the Life of a hard worker Girl, and Harriet Wilsons autobiographical novel, Our Nig, both African-American authors incorporate the idea of t... ...Cambridge University Press, 2007. eBook.Foster, Frances Smith. indite By Herself Literary Production by African-AmericanWomen, 1746-1892. United States of America, 1993. Print.Johnson, Yvonn e. The Voices of African American Women The Use of Narrative and Authorial Voice in the plant life of Harriet Jacobs, Zora Neale Hurston, and Alice Walker. New York Peter Lang Publishing Company, Inc., 1998. Print.Mullen, Harryette. Runaway Tongue Resistant Orality in Uncle Toms Cabin, Our Nig, Incidents in the Life of a Slave Girl, and Beloved. The assimilation of Sentiment Race, Gender, and Sentimentality in Nineteenth-Century America Ed. Shirley Samuels. New York Oxford University Press, 1992. eBook.Santamarina, Xiomara. Belabored Professions Narratives African American Working Womanhood. United States of America The University of North Carolina Press, 2005. eBook.